If there was an award to be given out for the most consistently inconsistent franchise in the history of cinema, then Predator would be a very strong contender to lift the trophy. We’ve seen the good, the bad, and the very ugly from the sci-fi saga over the last 35 years, but it’s hard to imagine anything worse than Aliens vs. Predator: Requiem emerging from the rubble.

It was a bold call for sibling directorial duo The Brothers Strause to tackle the sequel to a crossover that also acted as a soft reboot of Paul W.S. Anderson’s Alien vs. Predator all at once, but it would be generous to say that the pair failed not just miserably, but utterly spectacularly on their feature-length debut behind the camera.



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