The first episode of the sixth and final season of Better Call Saul begins inauspiciously. With no dialogue and set to a sweeping yet melodic score, we see people clearing out all the various possessions of a house. It is a house that presumably belongs to Bob Odenkirk’s Jimmy McGill, who is fast on his way to becoming the Saul Goodman we know from Breaking Bad. Mysterious and melancholy, it is one of many moments that has come to define the quiet beauty of a show. The show is fascinated with these seemingly mundane details of life that then get folded into the chaotic and violent struggles for power at the core of the story. The first two episodes, “Wine and Roses” and “Carrot and Stick,” provided to critics of the final season, rely on the show’s solid foundation to draw us in for the steep descent ahead.



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